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Ryan Elisabeth Reid

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Process and images and notes…….

archive visit:

reflecting on the visual artwork I’ve made for people’s homes. this work came out of imagining and co-designing sets for the plays I was writing. eventually they morphed into their own practice.

this image is a close up o
archive visit:

artworks made by elders & teens throughout Sprat programs

pictured here in an exhibition I co-curated with @chasermccurdy
archive visit:

artworks made by elders & teens throughout Sprat programs

pictured here in an exhibition I co-curated with @chasermccurdy
archive visit:

artworks made by elders & teens throughout Sprat programs

pictured here in an exhibition I co-curated with @chasermccurdy
archive visit:

continuing to share about the intergenerational arts programs I created - Sprat.

these images are from a collaboration with The Neon Museum to bring arts workshops for seniors from Ovation and teens from CORE Academy. this series was
archive/ongoing work:

after creating multi-gen plays, I wanted to continue facilitating that intergen connection & collaboration. in 2014, I founded Sprat: intergen art workshops for elders + youth. using varied art modalities, vulnerability, an
from the archives:

one of my longest ongoing collaborators, James Williams, pictured here in a still from #henri. James is an incredibly talented actor, mover, teaching artist and a dear friend. I’m grateful to have been in collaboration with
archive visit:
a through-line of my work has been collaborating intergenerationally. for me, it feels essential in telling a full story.

here is another image of #henri and the multi-generational cast that brought it to life, ages 8-83.

🀍
revisiting the archive:
images from #henri the next play I wrote & directed & art directed

you can see the youngest cast member here... Blip (played by Maria) was 8 and functioned as the narrator of the story through language but mainly draw
I am so excited & proud to announce that my Fulbright sisters @lilyjane17 @andereisman and I working with talented Nepal sisters @dolpo_tales_ @tshiringlhamulama received a Citizen Diplomacy Action Fund from the #unitedstatesdepartmentofstate and
looking back through my archives, I’m v proud of what I’ve created over the past decade. here comes an archive tour... past to now.
πŸͺ‘
pictured here an image from “one day in the life of henri shnuffle” a play I wrote, directe
and this one is “how I see myself”

🀍
@lexawalshinc gave me an assignment to take a photo of “how I think other people see me”

here it is.

I’ll share the “how I see myself” photo tomorrow
from the archives:
missing exploring “relationship to balloon” in a space together 🎈🎈🎈
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🎈
#performance #performanceart #annahalprin #performances #performer #score #mentor #dance #postmoderndance
happy nu year 🎟 bye 2020

*working on some new characters & vids for 2021
New formations and systems are unfolding and unfurling in my work life. I’m excited about all that I’m planning to share with you in 2021πŸ’§πŸ’§πŸ’§

As this year of work comes to a close today, thank you to all the people, elements, opportuni
last Performance Lab of the year created lots of silliness and laughs

also included scores about doors, ripping up 2020, & ink blots

we ended it all with a dance party

I’m so grateful
❀️❀️❀️❣️
I’ve completed the last addition to my winter sale of artworks. Resin sculptures filled with flowers I grow in my yard. I imagine these pieces in window sills, on shelfs, near candles, or at your desk.

At home I’ve been imagining the &ls

 


 

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